Countertechnique and Henny Jurriëns Studio (HJS) are proud to bring the One Body, One Career Countertechnique Intensive (OBOC) back to Amsterdam. After six successful editions in Australia, the OBOC is returning to Amsterdam from 29 July – 9th August 2019. The OBOC 2019 brings together participants from all over the world to delve into Anouk van Dijk’s Countertechnique method, to learn invaluable skills for your career and to build connections around the globe.
Working for ten full days with Countertechnique Founder and former Chunky Move Artistic Director Anouk van Dijk, Master Teacher Nina Wollny, Senior Teacher Niharika Senapati and Alexander Technique expert Tom Koch, the OBOC offers a wealth of information to both first time and returning participants.
The OBOC Intensive is for professional dancers and advanced dance students interested in pursuing a long, healthy and successful career in dance. First time participants will gain a detailed introduction to the distinct elements and methodology that form Countertechnique, while returning participants will have the opportunity to deepen and expand their understanding. Through physical practice, theory, discourse and creative workshops, participants will gain a set of practical tools that they will be able to draw from and apply in their daily dance practice and through performance seasons.
Countertechnique Founder Anouk van Dijk will share her love for space, improvisation and the creative process, Master Teacher Nina Wollny will teach her much sought-after partnering workshop alongside her dynamic anatomy sessions, Senior Countertechnique Teacher Niharika Senapati will offer insights in Anouk van Dijk’s repertory for Chunky Move and strategies for performance practice, and Tom Koch will introduce his specific approach of Alexander Technique for dancers in plenary and individual sessions. The intensive will conclude with a shared presentation of the various workshops.
Each OBOC operates in an intimate setting and only offers spots up to 50 participants. All previous editions have drawn a mix of participants from around the world including North America, Asia, Europe, South-America, the Middle East, Russia, Australia and New Zealand. The OBOC is not only the ultimate opportunity to immerse yourself in Countertechnique, but also an amazing event to meet international dancers, teachers and choreographers, who are interested in pursuing long careers and who love dancing!
29 July - 9 August 2019
10am-6pm, Monday to Friday
Applicants must be able to attend the full two-week period
The full cost for the intensive is €950. A one-time Application Fee of €25 is required for all applicants.
- EARLY BIRD SPECIAL
Early Bird spots are available at a price of €925 to successful applicants who have submitted their application by Friday 15 February 2019.
Applications close on Friday 1 March 2019 at midnight. Successful applicants will be notified by Tuesday 12 March 2019 at the latest.
HOW TO APPLY
Due to the limited number of places, candidates are asked to submit a personal motivation statement and CV for consideration in PDF format, together not exceeding two pages. An additional online dancer's reel is required, which should include footage shot in a studio (improvisation or choreography). Applications are assessed on level and motivation.
The OBOC will be held at the Chassé Studios in Amsterdam, located in Amsterdam-East. We will be using three spacious studios, measuring 24 m x 18 m, 27.5 m x 11 m, and 8 x 10 m (for Alexander Technique only). All participants are responsible for arranging their own housing, but options to explore will be provided by the organisation.
ANY FURTHER QUESTIONS
As we are operating on a very small team, we will be unable to answer all of your questions individually. For that reason, we’ve compiled an extensive FAQ page, with literally all the questions we thought you might have. Please make sure to carefully read the information on this page, to find an answer to any question you might have. Find the FAQ page here.
OBOC 2019 FACULTY
Anouk van Dijk is a choreographer, artistic director and the creator of the movement system, Countertechnique. For the past seven years she has been the Artistic Director of renowned contemporary dance company Chunky Move in Melbourne, Australia.
Anouk van Dijk spent the first ten years of her career as a lead soloist for Rotterdam Dance Company and Amanda Miller’s Pretty Ugly Dance Company. From early on, she was attracted to choreography and from the late nineties committed herself exclusively to the conception, creation and performance of her own work. In 1998, Van Dijk founded her own company, anoukvandijk dc, dedicated to creating work that sought to provide an insight into the many facets of the human experience through the lens of contemporary dance.
From 2012-2018, she was Artistic Director of dance company Chunky Move in Melbourne, Australia, where she created several large scale productions, amongst others An Act of Now (2012), Complexity of Belonging (2014, with Falk Richter), Depth of Field (2015), Rule of Thirds (2016), Common Ground (2018). She has also created works in collaboration with writer/director Falk Richter for Schaubuehne Berlin, Schauspiel Frankfurt and Duesseldorf Schauspielhaus.
In her career Anouk van Dijk has created more than thirty full-length works that toured to the world’s leading festivals and venues including Festival d’Avignon, Adelaide Festival, Sydney Opera House, Schaubuehne Berlin, Dance Triennale Tokyo, American Dance Festival, SPRING International Performing Arts Festival and Festival. Her upcoming work, Distant Matter, has been commissioned by Staatsballet Berlin and will premiere February 2019.
Nina Wollny is a performer and Master Teacher Countertechnique. From 2002-2012, she was a featured artist in all of Anouk van Dijk's work, including Amour Fou (2003),
Borrowed Landscapes (2007), and An Act of Now (2012). More recently, she performed in Safe Places (2016) by Anouk van Dijk and Falk Richter at Schauspiel Frankfurt, and continues to perform in their work Trust (2009-present) at Schaubühne Berlin. As a freelance performer, she featured this year in Falk Richter's staging of David Bowie's Lazarus in Hamburg, and is a core ensemble member in the work of choreographer Jenny Beyer, recently premiering the works DÉBUT and Fluss (2018).
Alongside performing, Nina Wollny has been teaching Countertechnique since 2004, and has been instrumental in the development of the technique over the past fifteen years. Together with Anouk van Dijk, she has been running the One Body, One Career Intensive since 2006 and the Countertechnique Teacher Training program since 2012. She is also Program Manager for the Countertechnique organisation. Her classes and workshops are popular around the world, and she has been representing Countertechnique at various cities in Europe, Asia, North-America, Russia and Australia.
Niharika Senapati has been performing and touring with Chunky Move since 2012, working closely with Artistic Director Anouk van Dijk as a dancer in almost all of her choreographies, most notably An Act of Now (2012), 247 Days (2013), Depth of Field (2015), Rule of Thirds (2016), Anti—Gravity (2017) and Accumulation (2018). She was also Choreographic Assistant for Anouk van Dijk’s two most recent collaborations with theatre director Falk Richter, Complexity of Belonging (2014) and Safe Places (2016). As a freelance performer, Niharika has had an extensive list of creative collaborations as a performer, most recently in the work Trustees by the Belarus Free Theatre for Malthouse Theatre (2018) and Replay by Eszter Salamon (2018).
Alongside performing, Niharika is a Senior Countertechnique teacher, teaching extensively around the world. She has taught nationally all throughout Australia, as well as in the USA, India and Germany. Niharika is also a sound designer, and creates her own work as an emerging choreographer, presenting IMAGINATION/VACATION (2017), Follow your Dreams (2017) and POSITIVE Reinforcement (2018).
Certified Teacher of the Alexander Technique
Tom Koch pursued his Bachelor of Arts in Theater, with a minor study in History of Science, at University of Missouri-Kansas City. After being certified to teach in 1987 by the American Center for the Alexander Technique in New York, he was a pioneer in integrating the Alexander Technique with ballet movement and education, particularly for resolving chronic pain and repetitive injuries. He was for years the Alexander Technique teacher for William Forsythe’s groundbreaking Ballet Frankfurt (later the Forsythe Company). He has also taught group and private lessons for Netherlands Dance Theater, Tanztheater Wuppertal (Pina Bausch), the Dutch National Ballet, Sydney Dance Company, Chunky Move, La Biennale di Venezia College Danza, Codarts University, L’Artère, Studio 303, Henny Jurriëns Studio in Amsterdam, and many others. For twelve years, he has collaborated with his former student Anouk van Dijk to teach the annual One Body, One Career Intensive for dancers, first in Amsterdam and most recently in Melbourne. His work is not limited to dance, but includes a wide range of artists in all forms of dance, music and theater. He also has taught the technique to doctors, writers, scientists, secretaries, architects and police agents. In recent years, his private practice focuses mainly on helping those with chronic pain find improved movement and living strategies. Tom Koch has more information about his practice on his website Tomsterdam.